In April, I visited the recently-opened Ditchling Museum of Art and Craft. The tiny Sussex village of Ditchling was home to Eric Gill and his apprentice Joseph Gibb, where they founded the Guild of St Joseph and St Dominic. Gill gathered around him a number of talented men and women artists, who were inspired by the ethos of the late-Victorian arts and crafts movement whilst evolving a new kind of English modernism that bridged the medieval and the present day. (Gill, of course, is well known for his iconic typeface Gill sans as well as for his unorthodox sexual practices).
The exhibition is smart and high quality – less is more for this architect-led redesign that unifies a collection of farm buildings through strategic use of honest metal and wood materiality. The interpretation is, as expected, beautifully designed by graphic design heavyweight Phil Baines, with elegant wayfinding symbols (also found on the cafe’s cups and plates). Sadly, I found the writing on those panels failed to catch my attention, and often left panels half-read, even in this very small exhibition. Given that I had an existing interest in the subject matter, I suspect I just wasn’t in the mood, or that the text was dense or dull in a way that made it hard to digest whilst standing up and walking around. I’ll be interested to revisit and see how my outlook changes.
From Ditchling, you can follow a very lovely walk across the Downs to Lewes, only 5 or 6 miles away, and from there, take the train back to London. A perfect little day.