In April, I visited the recently-opened Ditchling Museum of Art and Craft. The tiny Sussex village of Ditchling was home to Eric Gill and his apprentice Joseph Gibb, where they founded the Guild of St Joseph and St Dominic. Gill gathered around him a number of talented men and women artists, who were inspired by the ethos of the late-Victorian arts and crafts movement whilst evolving a new kind of English modernism that bridged the medieval and the present day. (Gill, of course, is well known for his iconic typeface Gill sans as well as for his unorthodox sexual practices).
The exhibition is smart and high quality – less is more for this architect-led redesign that unifies a collection of farm buildings through strategic use of honest metal and wood materiality. The interpretation is, as expected, beautifully designed by graphic design heavyweight Phil Baines, with elegant wayfinding symbols (also found on the cafe’s cups and plates). Sadly, I found the writing on those panels failed to catch my attention, and often left panels half-read, even in this very small exhibition. Given that I had an existing interest in the subject matter, I suspect I just wasn’t in the mood, or that the text was dense or dull in a way that made it hard to digest whilst standing up and walking around. I’ll be interested to revisit and see how my outlook changes.
From Ditchling, you can follow a very lovely walk across the Downs to Lewes, only 5 or 6 miles away, and from there, take the train back to London. A perfect little day.
This time last year I was deep in a volunteer project; this year I’m freelancing and full-time working… Here’s a quick recap on that project and what it meant to me.
Cast yourself back to February 2016… for LGBT History Month, I was part of a brilliant team of volunteers and professionals to realise a temporary photography and oral history exhibition called Twilight People. It featured beautiful photographs by Christa Holka, media by Susanne Hakuba, graphics by Lai Couto, and took place at Islington Museum. Subsequently, the exhibition has toured to Coventry, Manchester and had a pop up event at the LGBT Police Conference at the Guildhall in London.
The exhibition features intimate, face-to-face encounters with people who are at the intersection of gender and faith. Pictured holding an object that means something precious to their identity and faith journey, they are also accompanied by their own words taken directly from their oral histories. Together, they give a powerful insight into faiths and identities that are often not seen as compatible, and confounds many stereotypes. For some, faith is the way they have come to terms with their identity; for others, being accepted by a religious community has been a positive marker for them in their transition.
I was honoured to be involved in such a project, not least because I got to work with Surat-Shaan Knaan, whose energy knows no bounds. With my co-curator Sean Curran, and the fabulous volunteers who took part in workshops and played a part in scripting the exhibition, we had such fun leading workshops, choosing images and creating a beautiful space, so here’s a few of the photographs from the install and launch.
The Heritage Lottery Fund, who kindly provided the money to be able to carry out the project, asked me to write a blog post for the project which you can read here.